Why Jacko Was Like A Castrato


A high-pitched voice, questionable sexuality, and ear-grabbing melodies—the new Decca album “Sacrificium,” from singer Cecilia Bartoli, may sound like another posthumous Michael Jackson collection; instead, it’s a collection of 17th century opera arias written for castrati — the gelded male singers who were the superstars of the music world for almost two centuries.

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