Hannah Höch: Art’s Original Punk

The Nazis branded her a degenerate and the Dadaists tried to edge her out. But a new exhibition reveals Hannah Höch as a pioneer of photomontage and a feminist icon. The Guardian looks at a new exhibition of her work and says: ‘Scholars and curators have since belatedly recognised that she was both a key dadaist and considerably more: a true pioneer of photomontage and a complex, funny critic of mainstream and art-world misogyny alike. Pictured is “Kleine Sonne”, from 1969.

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