1940s Hollywood: Freudian Noir

Geoffrey O’Brien begins his review of David Bordwell‘s “Reinventing Hollywood”: ‘One night not long ago I found myself once again drawn into a movie from the tail end of the 1940s. This one, with the thoroughly generic title Backfire (not to be confused with Crossfire or Criss Cross or Backlash), did not come with a high pedigree. It had sat on the shelf for two years after it was filmed in 1948, and afterward seems to have faded quickly from recollection. But movies of that time, when they emerge decades later, have devious ways of holding the attention: beguiling hooks and feints lead deeper into a maze whose inner reaches remain tantalizing no matter how many times those well-worn pathways have been explored, and no matter how many times the interior of the maze has led only to an empty space.’

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